IPW 2010

International Pynchon Week 2010 LUBLIN
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  • Pynchon, Leone, and Dynamite
  • Inherent Obligation: Ethical Relations and The Demands of Patronage in Recent Pynchon.
  • The Æther in Against the Day
  • Hoop dreams: the soundtrack of Inherent Vice
  • The Crying of Lot 49 and the Politics of Mourning
  • THE INELUDIBLE FLAWS IN HIPPIEDOM AND FASCISM IN THOMAS PYNCHONS’ INHERENT VICE
  • “Back to Gondwanaland!” or, Pynchon’s Myths of Earth
  • Pointsman and the Preterite: On Character and Theology in Gravity’s Rainbow
  • The Virtues of Vice: ‘Black Humour’ in Inherent Vice and Beyond
  • The Year of the Metal Tiger
  • Performing Pynchon
  • Moving Images: Light-capturing Technologies, Reality, and the Individual in Thomas Pynchon’s Twentieth Century
  • Time Overdrive / Space Override – Pynchon Antinomies
  • The Figure of the Private Eye in Pynchon from The Crying of Lot 49 to Inherent Vice
  • “The abstractions she was instructed to embody”: Women and Capitalism in Against the Day
  • Daylit Fictions and Dark Conjugates: The Political Role of Fantasy in Thomas Pynchon’s The Crying of Lot 49 and Against the Day
  • Reading Against the Day with the Chums of Chance
  • ”There Is Money Everywhere”: Representation, Authority, and the Money Form in Against the Day
  • Inherent Vice’s Monster Mash: Pynchon and the Gothic
  • Between and Beyond Bakunin and Nietzsche: Thomas Pynchon and the Politics of Transcendence
  • Thanatoids and Death by Television: Politics and/of the Spectacle in Thomas Pynchon’s Vineland
  • Pynchon on Totalitarianism: Power, Paranoia, and Preterition in Gravity’s Rainbow and The Crying of Lot 49
  • The Symbolism of Light and Darkness in Against the Day
  • ‘It sure’s hell looked like war’: Terrorism and the Cold War in Thomas Pynchon’s Against the Day and Don DeLillo’s Underworld
  • Faust and the Faustian in Gravity’s Rainbow
  • Roads Not Taken: Historical Crossroads And Their Potential In Against the Day
  • Pynchon and Race: V. Reconsidered
  • Framing Monsters: Pynchon’s Multiple and Mixed Genres
  • Locating Pynchon in the Literary Field (A Critique of Reviews of Against the Day)
  • Abundancy and Dialogue in Pynchon Criticism: A Possible Model for a Computed Secondary Bibliography
  • Varied Modes of Detection: a Forensic Investigation into Thomas Pynchon’s The Crying of Lot 49 and Inherent Vice
  • Mathematics, Reality and Fiction in Thomas Pynchon’s Against the Day
  • Always judge a book by its cover – reading Pynchon’s paratexts
  • Literary Spaces in Pynchon, Strugatskie, and Dukaj
  • The ARPAnet Trip: The Network from Gravity’s Rainbow to Inherent Vice
  • Ernst Bloch‘s European Reichs in Pynchon’s Imagined Europe
  • Pynchon’s Games
  • Pynchon’s Wild West: The American Myth in Against the Day and Other Works
  • “Bye bye Black Dahlia”: Thomas Pynchon and the Inherent Vice of detective fiction
  • Hans Kammler and Gravity’s Rainbow: Or, The Kammlerstab Takes a Road Trip
  • Mapping the World: Pynchon’s Great Global Novel
  • Paranoid Reading: Narrative Structure and Organisational Devices in Thomas Pynchon’s Against the Day and Inherent Vice
  • “Can you tell me, please, where is reality?”: Imagined Utopias in Inherent Vice
  • Thank You
    • CALL FOR PAPERS
      • Conference Program
        • GR Inspirations
      • Abstracts + Audio
  • About

  • CONTENT

    • Thank You
      • CALL FOR PAPERS
        • Abstracts + Audio
        • Conference Program
          • GR Inspirations
    • About
  • IPW 2010

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