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INFO:
“surfbomber” logo and Lublin skyline design by Aleksander Bednarski.
web designing by Mateusz Liwiński.
IPW 2010
International Pynchon Week 2010 LUBLIN
- Home
- Pynchon, Leone, and Dynamite
- Inherent Obligation: Ethical Relations and The Demands of Patronage in Recent Pynchon.
- The Æther in Against the Day
- Hoop dreams: the soundtrack of Inherent Vice
- The Crying of Lot 49 and the Politics of Mourning
- THE INELUDIBLE FLAWS IN HIPPIEDOM AND FASCISM IN THOMAS PYNCHONS’ INHERENT VICE
- “Back to Gondwanaland!” or, Pynchon’s Myths of Earth
- Pointsman and the Preterite: On Character and Theology in Gravity’s Rainbow
- The Virtues of Vice: ‘Black Humour’ in Inherent Vice and Beyond
- The Year of the Metal Tiger
- Performing Pynchon
- Moving Images: Light-capturing Technologies, Reality, and the Individual in Thomas Pynchon’s Twentieth Century
- Time Overdrive / Space Override – Pynchon Antinomies
- The Figure of the Private Eye in Pynchon from The Crying of Lot 49 to Inherent Vice
- “The abstractions she was instructed to embody”: Women and Capitalism in Against the Day
- Daylit Fictions and Dark Conjugates: The Political Role of Fantasy in Thomas Pynchon’s The Crying of Lot 49 and Against the Day
- Reading Against the Day with the Chums of Chance
- ”There Is Money Everywhere”: Representation, Authority, and the Money Form in Against the Day
- Inherent Vice’s Monster Mash: Pynchon and the Gothic
- Between and Beyond Bakunin and Nietzsche: Thomas Pynchon and the Politics of Transcendence
- Thanatoids and Death by Television: Politics and/of the Spectacle in Thomas Pynchon’s Vineland
- Pynchon on Totalitarianism: Power, Paranoia, and Preterition in Gravity’s Rainbow and The Crying of Lot 49
- The Symbolism of Light and Darkness in Against the Day
- ‘It sure’s hell looked like war’: Terrorism and the Cold War in Thomas Pynchon’s Against the Day and Don DeLillo’s Underworld
- Faust and the Faustian in Gravity’s Rainbow
- Roads Not Taken: Historical Crossroads And Their Potential In Against the Day
- Pynchon and Race: V. Reconsidered
- Framing Monsters: Pynchon’s Multiple and Mixed Genres
- Locating Pynchon in the Literary Field (A Critique of Reviews of Against the Day)
- Abundancy and Dialogue in Pynchon Criticism: A Possible Model for a Computed Secondary Bibliography
- Varied Modes of Detection: a Forensic Investigation into Thomas Pynchon’s The Crying of Lot 49 and Inherent Vice
- Mathematics, Reality and Fiction in Thomas Pynchon’s Against the Day
- Always judge a book by its cover – reading Pynchon’s paratexts
- Literary Spaces in Pynchon, Strugatskie, and Dukaj
- The ARPAnet Trip: The Network from Gravity’s Rainbow to Inherent Vice
- Ernst Bloch‘s European Reichs in Pynchon’s Imagined Europe
- Pynchon’s Games
- Pynchon’s Wild West: The American Myth in Against the Day and Other Works
- “Bye bye Black Dahlia”: Thomas Pynchon and the Inherent Vice of detective fiction
- Hans Kammler and Gravity’s Rainbow: Or, The Kammlerstab Takes a Road Trip
- Mapping the World: Pynchon’s Great Global Novel
- Paranoid Reading: Narrative Structure and Organisational Devices in Thomas Pynchon’s Against the Day and Inherent Vice
- “Can you tell me, please, where is reality?”: Imagined Utopias in Inherent Vice
- Thank You
- About